Blackmagic Design today announced a new high performance 4.6K sensor for its URSA high end digital film cameras. The new Super 35 image sensor features high resolution of 4608 x 2592 at 120 frames per second and an extremely wide 15 stops of dynamic range for images that rival those shot on traditional 35mm film.

This new sensor will be available in two new models of the Blackmagic URSA camera. The Blackmagic URSA 4.6K EF model will be available for $6,995 and the Blackmagic URSA 4.6K PL will be available for $7,495. Both 4.6K models will start initial limited availability shipments in June and ramp up into full volume late July and into August.

Existing Blackmagic URSA customers can upgrade to the new 4.6K sensor for $1,995 for the EF lens mount and $2,495 for the PL lens mount. This “turret upgrade” will be available for customers to purchase and they can replace the turret on their URSA cameras to upgrade to this new higher performance image sensor.

In addition, the current shipping 4K models of Blackmagic URSA EF and PL cameras will be reduced by $1,000 allowing customers to get into Blackmagic URSA at an even more affordable price. This also means that the difference in price between the 4K and the 4.6K Blackmagic URSA cameras is the same price as the 4.6K sensor upgrade. This lets customers purchase a lower cost 4K camera initially and then upgrade later to the 4.6K image sensor without a price penalty. The new prices for the Blackmagic URSA 4K EF model will now be $4,995 and the Blackmagic URSA 4K PL will be $5,495.

The new 4.6K image sensor captures 4608 x 2592 pixels and has an incredibly wide 15 stops of dynamic range to deliver images with higher resolution and more latitude than many traditional motion picture film stocks. The dynamic range sometimes even goes beyond what the human eye can see. That means customers can now use URSA to get the most epic cinematic shots with more detail in the shadows and highlights than ever before. Files are recorded as 12-bit lossless Cinema DNG RAW to preserve the maximum amount of image data and quality for color correction and creative grading in applications like DaVinci Resolve. Broadcast quality files can also be saved in Apple ProRes for easy post production workflows with minimum storage requirements.

The camera will be available in limited supply by June, and full supply ramping up in the months after.